Just hearing a few notes from certain songs can bring a movie back to life—whether the Doors’ “The End” from Apocalypse Now, Simon and Garfunkel’s “Mrs. Robinson” in The Graduate, or John Williams’ scores to such blockbusters as Jaws, Star Wars, and Raiders of the Lost Ark. But what is the relationship between film and music—where does the film begin and the music end? Taking o...(展开全部)

Back on the job after an involuntary leave of absence, LAPD homicide detective Harry Bosch is ready for a challenge. But his first case is a little more than he bargained for. It starts with the body of a Hollywood producer in the trunk of a Rolls-Royce, shot twice in the head at close range - what looks like "trunk music," a Mafia hit. But the LAPD's organized crime unit i...(展开全部)

This book makes an essential contribution to the debate now opening up over the future of Europe in the wake of the demise of the Constitution. Since 1989 much about the European Union has changed, including the very definition of 'Europe' itself. The EU has enlarged to 25 countries and the division between Western and Eastern Europe has disappeared. The EU has responded posit...(展开全部)

If there is a fundamental truth of geopolitics, it is this: whoever controls the core of Europe controls the entire continent, and whoever controls all of Europe can dominate the world. Over the past five centuries, a rotating cast of kings and conquerors, presidents and dictators have set their sights on the European heartland, desperate to seize this pivotal area or at least ...(展开全部)

布伦丹·西姆斯，历史学家，剑桥大学国际关系史专家，他的研究涉及英国、德国、美国的外交关系历史，在时间跨度上则同时包括近代与现代。他在2002年出版的《最糟的时刻》（Unfinest Hour）回顾英国政府1990年代初在巴尔干问题上的失误，曾获得英国非小说类图书最高奖塞缪尔·约翰逊奖（Samuel Johnson Prize)的提名。

列昂·普兰廷加（Leon Plantinga），美国当代著名音乐学家，主要研究领域为十八世纪晚期和十九世纪的西方音乐。1959年获得密歇根州立大学钢琴演奏硕士学位，1964年获得耶鲁大学音乐史博士学位。自1963年起任教于耶鲁大学音乐系并曾担任系主任，2005年退休后成为荣休教授，并任耶鲁大学乐器博物馆临时馆长。所著《浪漫主义音乐》长期被作为美国各大高校的标准断代史教科书，此外还著有《批评家舒曼》（1967）、《克莱门蒂：生平与音乐》（1977）、《贝多芬协奏曲：历史、风格、表演》（1999），并发表大量学术论文和深度书评。

Music＝Footage≠Music ◎帮音乐配影像难 还是影像配音乐难 其实这不重要 因为我都会 Is it harder creating music to go along with footage？ or creating footage to go along music ？ It’s not important , because I can do BOTH！ ◎ 继「D调的华丽」后 睽违六年 周杰伦首部MV导演全纪录写真图文书 MV侧录照+ 周导随笔 + 造型剖析+ 剧组人员谈导演 / 40多部音乐录影带 =周杰伦

Music＝Footage≠Music ◎帮音乐配影像难 还是影像配音乐难 其实这不重要 因为我都会 Is it harder creating music to go along with footage？ or creating footage to go along music ？ It’s not important , because I can do BOTH！ ◎ 继「D调的华丽」后 睽违六年 周杰伦首部MV导演全纪录写真图文书 MV侧录照+ 周导随笔 + 造型剖析+ 剧组人员谈导演 / 40多部音乐录影带 =周杰伦

Film music is as old as cinema itself. Years before synchronized sound became the norm, projected moving images were shown to musical accompaniment, whether performed by a lone piano player or a hundred-piece orchestra. Today film music has become its own industry, indispensable to the marketability of movies around the world. Film Music: A Very Short Introduction is a comp...(展开全部)